Her two records, Geidi Primes and last year’s Halfaxa, introduced us to something different and something new, sounds that floated wistfully through variant styles of beats and electronics, a journey through the seemingly discordant worlds of dance, hip-hop, industrial, experimental and goth anchored by an eerie, wordless siren’s call.
Further cementing Grimes’ singular take on the medium of popular song in a modern world is her new split release with electro-prankster D’Eon, five tracks on which she aims strictly for the dancefloor, albeit a “piste” of the interstellar variety.
Grimes & D’Eon
April 22nd | Sala Rossa
4848, St-Laurent
with Black Feelings
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